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Good Horror Movies

There is no formula for success in the finest horror films. Even though they are similar to other horror films, they each provide distinct excursions into the unknown.

It's impossible to predict what will happen in the finest horror films. In reality, the most influential horror filmmakers know how to use deception to their advantage, meticulously crafting moments of suspense that will make even the hardiest of horror buffs jump out of their skin.

Despite what Scream may have you believe, there are no rules regarding terrifying movies. If you know what's going to happen, then your fear is groundless.

Moreover, in terms of what's to come, compiling this list of the top horror films of all time was a daunting task. There has been a steady stream of really terrifying films for decades.

We could have only included 30 from the 1990s, but the "of all time" qualifier raised its ugly head, forcing us to include both traditional scares and more contemporary ones.

The films on this list are our recommendations for any horror fan from the last half-century. Both old-school horror movies from the golden era of cinema, whose screams can still be heard today, and new-school found-footage horrors from filmmakers like Jordan Peele and Jennifer Kent may be found here.

If you need help with your horror film assignments or you're simply looking for a new film to rewatch, you've come to the correct spot. Get ready for the top horror films of all time. Have a nice dream.

 

Host (2020)

 The post-pandemic terror we all feared has come in the form of a Zoom call gone wrong. Friends, during a lockdown, decide to have an online seance since they need something to do than take quizzes the whole time.

What follows is a 56-minute blast of adrenaline-packed discovered film that comes on like a lightning bolt. The host isn't the first horror film to take place in front of a computer screen; it was influenced by films like REC, The Blair Witch Project, and Paranormal Activity, but it still manages to be a terrifyingly timely nightmare. Cheers, fright fans!

Some innovative applications of current technology provide appropriate scares for 2020, while superb performances ramp up the suspense to unbearable levels. This should give you chills: Due to isolation, we are all fluent in the Zoom language and can relate to each other's experiences with lockdown and angry parents.

Thus, we can't help but be drawn along as this group of ladies lights candles, and something shows up where they're supposed to be secure.

If this is the best that Rob Savage, as a filmmaker, can achieve in isolation, without ever seeing his cast members, then his future projects are sure to be fascinating.

 

 Saw (2004)

In this film: But, and this is significant, the original Saw is not quite as gross-gusting as you think it is, and it happens to be great horror, which is to say that it is responsible for reviving the so-called torture porn genre with its (mainly) genuinely terrible sequels.

Despite its name, which refers to an instrument with which a heinous murderer advises his victim to cut off a leg rather than use a key to free a cuff, the Saw is surprisingly controlled.

The concepts at play here are much more dreadful in your head than they seem on television. Leigh Whannell and James Wan's low-budget horror film about two guys in a toilet with a dead body between them is complex and consistently fascinating.

As to why this should give you chills: To put it plainly, we're all participants in Jigsaw's game with our heroes, saw nevertheless manages to pack a barbed-wire-covered punch, what with the actual dread of 'Billy,' Jigsaw's painted cycle doll, and one of the scariest protracted jump-scare moments.

What would we do to end our own unhappy lives? Should we be like Amanda and dive into a stomach in search of a key, or sit back and wait to meet our grisly end?

Morris Heights Health Center (MHHC) has been serving Morris Heights and the surrounding towns as the major healthcare center since its founding in 1981.

The Mental Health and Addictions Center (MHHC) is a non-profit organization that operates solely on grants and donations from the federal government, state and local governments, and private foundations and businesses.

For over 25 years, we have served the medically, socially, and economically disadvantaged members of our community by providing them with comprehensive primary healthcare.
Due of our standing in the community and the medical community, we've always been at the forefront of our field.

History

In March of that year, the Women's Health Pavilion in Morris Heights opened for business.

Morris Heights Health Center (MHHC) was established in March 1981 by Verona Greenland at 70 West Burnside Avenue with the support of a $25,000 Community Improvement Award.

In its initial year of service, MHHC helped over 2,000 people and their families.

The Ryan White HIV/AIDS Program model of comprehensive HIV programming was initially implemented at MHHC, making it one of the first community health centers in the country to do so.

Finally, MHHC is one of the first FQHCs in New York City to get accreditation from the Joint Commission. Both the community's infant mortality rate and the number of women who gave birth outside of a hospital setting improved because to this initiative.

The center's new $50 million, six-story facility is located at 57-69 West Burnside Avenue.
Morris Heights Health Center used Section 202 funding from HUD, low-income tax credits, and lobbying to build an assisted living facility for the elderly.

The Morris Heights Health Center sees around 52,000 patients annually, and a new facility is scheduled to open early in 2019.

Tampa Family Health Center Jobs is a related article ( 5 Positions Opened)

 

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Possibilities for Employment

Morris Heights Health Center (MHHC) has been serving Morris Heights and the surrounding towns as the major healthcare center since its founding in 1981.

Our primary care services, which include everything from medical and dental care to counseling, have been available to all people of the community, no matter their medical, social, or economic standing.

The Morris Heights Health Center offers our employees and their families a generous benefits package at a reasonable cost.

Health, dental, pharmaceutical, and flexible spending account coverage, along with paid time off, life insurance, and tuition reimbursement are all part of our benefits package.
Also, we provide a 403b retirement savings plan to our staff.

If you're looking for work at MHH, your resume should be sent to jobs@mhhc.org in Microsoft Word format.
Many applications from veterans are encouraged.

Morris Heights Health Center conducts both phone and in-person interviews for open jobs.
Financial information is not requested by MHHC during the interview.

If you have any inquiries about the application and hiring process, you may reach us at (718) 716-4400 extension 2332.

 The Birds (1963)

In this film: Okay, there's been a lot of chatter about showers and murder (Editor's note: we realize it's not just 'chatter,' as Hitchcock's Psycho is a true horror masterpiece), but let's address the fluffy problem that needs addressing.

The Birds, directed by the Master of Suspense and based on a short tale by Daphne du Maurier, is an excellent example of the horror genre. T

ippi Hedren's character, Melanie Daniels, goes to Bodega Bay to deliver some love birds but ends up with much more than she bargained for when the town's wild birds realize that human eyeballs taste much like abandoned chips.

This should give you chills: Like Jaws, The Birds plays on your simple phobias. Into open seas? It's not for me, thanks very much. What about the possibility that the feathered creatures around you are genuinely plotting your murder with their little skulls while you are entirely ignorant of their plans?

There's no way. More detail will be spoilers if you still need to watch it. The Birds succeeds because of the suspense it builds up gradually and subtly.

To top it all off, seeing Hedren's eyes fill with terror as actual birds are tossed at her is a horrific experience in and of itself. You may relax knowing that nobody creates movies like this anymore.

 

Dawn of the Dead (1978)

In this film: When compiling a list of the top horror films of all time, narrowing the field to just one Romero zombie film is like facing off a shambling horde with a letter opener; it's bloody, challenging, but not impossible.

Four zombie apocalypse survivors make their way to a vast shopping mall in Romero's bloody critique of the materialistic American ideal. They make it into the mall without being eaten alive, but it doesn't take long until the bright light draws in more customers and the fortifications crumble gorily.

It's time to go shopping now that we've given the matter much thought.

This should give you chills: Since Romero's original offering, we have had more ravenous shuffling hordes than we can count, but it hasn't diminished the horror of the source material.

Even in death, zombies have a soft spot for the mall, and the unrelenting savagery of Night 2 is an experience that won't let you look away. Tom Savini's tasty practical effects also ensure you'll get your money's worth when flesh and muscle are torn from their anchors.

The 2004 version, directed by Zack Snyder, is an excellent and eerily similar alternative if you insist on just watching in HD.

 

Shaun of the Dead (2004)

In this film: Whether or not Scream was responsible for reviving interest in the adolescent slasher genre, Simon Pegg and Nick Frost are to blame for the revival of the decent zombie film.

Shaun of the Dead is the first film in Edgar Wright's "Cornetto Trilogy," It tells the story of a man named Shaun who is living a dull life in London until he finds out (beautifully late) that everyone he knows has been turned into shambling cannibals.

It dawns on him that he must play hero and save his mother, win back his lover, and ensure everyone is safe by teatime. Regrettably, only some things go according to the well-edited script.

This should give you chills as to why Shaun of the Dead may be a comedy on the surface, but at its bloody core, it's a horror film. It follows Romero's formula for zombie movies, with a plodding army of the undead that pose a continual threat despite the brilliantly comedic storyline.

These aren't one-note characters destined to perish in an O-negative blast. Every zombie you come across matters here. Toss in a great score, stellar acting, and more blood-red than you can shake a cricket bat at, and you have a comedic horror classic in the shape of Shaun of the Dead.

 

A Nightmare on Elm Street (1984)

In this film: Throughout the Nightmare on Elm Street films' development, Freddy Krueger morphed into a murderous clown, much like a specific possessed doll that wore dungarees.

Your internal organs will be sprayed all over the walls, but at least you'll go out laughing. Even still, if you recall the original film by Wes Craven, you know that Freddy isn't someone to mess with.

For some reason, the fact that this serial child murderer was set on fire by an enraged crowd of parents never seems to register in our short-term memory.

Freddy becomes the ultimate nightmare monster when he dons his favorite murder glove and stalks a new generation of Springwood offspring as they sleep, feeding off their irrational dread and sense of shame to sustain themselves in perpetuity.

Why this should give you chills: The bed is supposed to be a secure place to spend the night. Secure. No daggers of death waiting to stab you in the heart... It's not so much Robert Englund's Freddy as the prospect of falling asleep and never waking up again that gives this movie its chills.

Heather Langenkamp's Nancy and her companions' frantic efforts to maintain their awake state at any cost. There's no use in drinking coffee or listening to loud music now; sleep is waiting, and in the shadows of your subconscious is a psychopath ready to take your life.

A Nightmare on Elm Street isn't one to hit the snooze button on, even if the movie's title suggests otherwise due to Johnny Depp's gloriously splattery death scene.

 

Evil Dead 2

In this film: Many Bad Remains, So many questions and so little time. Is this a rehash? Is this the next installment? Is it feasible to replace you are lost easily (said possessed) hand with a chainsaw?

The first two questions have been addressed by Bruce Campbell(opens in new tab), who clarifies that Sam Raimi's cabin-based comedic horror is, in fact, a sequel.'

In the first film, a group of twenty-somethings went on vacation to a mansion from hell; in the sequel, Campbell's Ash and his girlfriend Linda are the only ones left to try to live after hearing a recording of the Necronomicon played aloud. I'd be negligent if I didn't warn you about the garden tool beheading. Post-reading.

Why this should give you chills: Evil Dead 2 is flawless in terms of comic horror. There's a deliciously twisted and visceral quality to the whole thing, even if it won't make you jump away from the screen in horror—eyes in the mouth, blood everywhere, and chainsaws as the only hope.

Also, if you're looking for something that isn't so heavily punctuated with the term "groovy," the Evil Dead remake by Fede Alvarez is sure to give you chills.

They pair well because although Evil Dead 2's gloom is played for much-appreciated laughs, and you'll love the physical effects, Alvarez's remake errs on the unsettling side.

 

 The Babadook (2014) 

In this film: When Jennifer Kent's spooky pop-up book was first published, it seemed to become a generation's worst fear instantly. "In case you haven't, I recommend checking out The Babadook.

To put it simply, I was up the whole night, "hissed with delight at cafes and bars. And with good cause. The Babadook is a terrifying book. This film's story of a young widow caring for her small boy as she grieves will stick with you long after you've seen it.

Several questions arise as a result. A black-clad man with a top hat pops out of a book, but what would you do with such a book? How would you feel about reading that to your already traumatized son?

Okay, but what if he pleaded with you? And how would you cope with the ensuing "haunting"...?

As to why this should give you chills: The Babadook, like the top entries on our list, isn't interested in terrifying its viewers for the sake of scaring them; one of the most unsettling parts of the film has nothing to do with a monster, but everything to do with a young mother losing control of her kid as she is trying to drive, drawing striking comparisons between sorrow and melancholy.

The Babadook might be part of The Conjuring universe at first glance. Still, if you give it a chance, you'll find a sophisticated, exhausting horror film that knows precisely how to play on your worst fears, even if you weren't expecting it when you started watching.

 

 The Cabin in the Woods (2011)

In this film: There was a self-referential horror problem in 2011. Scream 4's opening was multi-layered, breaking the fourth wall with horror-ception as one character after another made jokes about the masked slasher film subgenre.

If comedic horror were to continue, where would it go? How many times would we have to hear a leading lady declare, "I saw this in a movie once," before we swore off horror flicks forever?

To everyone's surprise, the reanimated body had some signs of life. Like someone with a laser sight and the nail gun from Final Destination 3, The Cabin in the Woods hits every horror movie cliche.

When this group of hot twenties visits the place named in the title, they find much more than they bargained for. And yes, Chris Hemsworth is also included. You've finally piqued your curiosity, huh?

As to why this should give you chills: The work that Joss Whedon and Drew Goddard have made is more than just a fun diversion. Like the It movie, with its multifaceted monster, The Cabin in the Woods will play on many of your fears, but I won't give anything away since it's so fantastic.

There's more blood and monsters than you can shake a stick at in this one, and it's unlike anything you've seen before in a creature film. In the same way Buffy did before it, this can make you laugh one moment and cry the next.

If you walk into this woodland adventure completely blind, you're in for a wonderfully bloody surprise.

 

 A Quiet Place (2018)

In this film: It's hard to imagine a more horrifying prospect than raising a family in a world where hideous monsters with eagle-like hearing seek the last of humanity.

John Krasinski's debut forays into horror have him and his real-life wife, Emily Blunt as the Abbott family, who fear that each noise they make may be their last.

Despite its straightforward concept, A Quiet Place is 90 minutes of pure, bone-chilling anxiety thanks to some inventive use of film sound.

As to why this should give you chills: As it turns out, people may be rather noisy. There's a resounding boom of footsteps—the sound of crunching food. The creaking of the door is annoying.

An exquisite use of sound makes every sound the family makes seem like an excruciating last countdown to death. The cast's electric performances, particularly from Millicent Simmonds at such a young age, make you want to watch the film frame by frame, holding your breath the whole time.

I can't think of another horror filmmaker that could keep your attention for so long as your nails dug into your hands. If you want some quiet, watch A Quiet Place. One more thing: crank up the volume.

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